Interview by Julia Radovich

While the world celebrates loud heroes and dramatic declarations, Alberto Rossi brings something different to the screen — stillness, depth, and a gaze that says more than a monologue ever could.
Raised in the warmth of Sicily and shaped by the rigor of theater, Alberto doesn’t chase attention — it finds him.
As Paolo in Netflix’s II Gattopardo, he steps into a role that never existed before — a brother, a guardian, a mystery.
He rescues sea turtles.
He admires gestures in films.
He once began a biology degree, just for the joy of learning.
In this interview with Vanity Teen, Alberto opens up about his creative process, the thrill of jumping into a difficult scene on day one, and the wild, untold life of his character Paolo — a boy trying to keep his world from falling apart.

Shoes: Scarosso
Your character, Paolo, is not extensively explored in the original novel. This gives you a rare opportunity to bring something new to the screen. If Paolo were the main character of II Gattopardo, what would the story be like?
If Paolo were the main character, we would enter his world filled with schemings adventures around Sicily, courageous decisions, and a tender side that we don’t know much about, hidden loves, and passions he would like to express.
He would take us with him to admire his family from the perspective of a boy trying to keep everyone safe, especially in his relationship with his father, the way he admires him and tries to emulate him. He would show us the most secret and intriguing things about each member of a family that still has many mysteries to reveal.
Every role comes with its own challenges. Which scene in the series was the most difficult for you to film, and why?
Surely the most difficult scene was the first one I shot, the scene where Paolo explains for the first time that danger is approaching. I didn’t know the whole cast yet, and I was hoping to start with a quieter scene, but I had to jump right into something intense.
Many actors say theater and cinema are two completely different worlds.
What is something in theater that cannot be conveyed on camera?
Yes, it’s true, they are different. The energy and warmth of the audience in front of you is definitely not comparable to being in front of a camera. It’s very emotional. I admit that I fell in love with acting thanks to the theater; it gave me a strong jolt, so in many ways, I confirm the difference. Cinema is a tool that stays in memory and conquers a wide-scale audience.
You have worked with some incredible directors so far. If you could choose anyone in the industry, which director do you dream working with?
Actually, I believe that each project is different depending on the director’s life moment, and I’m convinced that everyone can create fantastic works. Surely there are directors who have incredible techniques with whom I would have the extreme honor of working, and I am sure that dreams come true, much like what happened with this project.
Let’s talk about surprises. What is an unexpected talent you have that no one knows about?
I really love animals, and I think my talent is in caring for them. I live near the sea in Sicily, and I often find myself saving sea turtles or dolphins, for example, and together with local associations I carry on this love.
If a movie or book could perfectly describe you, which one would it be?
I believe that it would be my own film. It’s very complex to describe myself perfectly. One day, I promise to tell my story; after all, it’s the reason that pushed me to learn this craft.
As an actor, you must have a sharp eye for detail. When you watch a film, what do you always pay attention to?
Certainly, gestures, small facial movements. The things that might seem insignificant to some, like objects in the environment that tell the life of the character. I like studying the body and the various movements an actor or actress performs.
If you hadn’t pursued acting, what other career path do you think you would have taken?
Surely something connected to nature and animals, like veterinary medicine or biology, which I started studying purely for the pleasure of learning. Who knows, maybe I will turn it into a career.
Finally, let’s do you a quick challenge – describe Il Gattopardo in three words.
Family, changes, and audacity.

Sunglasses: Balenciaga


Shoes: Scarosso

Pants: DSQUARED2

Sunglasses: Saint Laurent

Sunglasses: Alexander McQueen

TEAM CREDITS
Talent: Alberto Rossi
Press Office: MPunto Comunicazione
Photo: Erica Fava
Styling: Stefania Sciortino
Makeup: Chiara Ionta at Simone Belli Agency Hair: Klaudia Martini at Simone Belli Agency Digital: Carolina Smolec
Photo assistant: Angelica Arena
Styling assistant: Angelica Venturini
Location: Casa Monti
Editor in chief: Luca Imbimbo
Fashion editor: Corinna Fusco




