The primary sources of inspiration are
The Lighthouse directed by Robert Eggers and Moby-Dick by Herman Melville.
A cold winter sea — violent, restless, endlessly surging.
The sensation of being struck by waves, as if the body itself were forcibly torn away, stripped of stability and certainty.
The collection is built from materials that carry the weight of time: aged, dry-touch suiting; heavily wrinkled shirts; misaligned buttons. worn canvas; knits that appear frayed, as though the fabric itself is slowly unraveling.
These elements, evocative of memory and the past, are fused with contemporary materials and modern techniques to create garments that feel as though they traverse time itself.
Like fragments of fabric salvaged from a shipwreck — washed ashore, clinging to the body by chance — the clothes appear assembled through accident and survival rather than design alone.
Robert Eggers’ The Lighthouse is set on a remote island in the 1890s, where two lighthouse keepers, trapped by relentless storms, become increasingly obsessed with the lighthouse’s beam.
Seduction by light turns to madness; curses of mermaids, circling seagulls, hallucinations, and descent into insanity blur the boundary between myth and reality.
Time flows not linearly, but in cycles — repetition, return, erosion.
The sea, the passage of time, and the endlessly recurring motion of waves form a rhythm of collapse and resurgence.
Moments dissolve like tides, only to rise again, reshaped but familiar.
In this collection, past and present collide — a wardrobe shaped by fear, endurance, and memory, drifting between history and now, as if illuminated intermittently by a distant lighthouse in the dark.
