In a season obsessed with spectacle, MYX Paris chose something far more radical: restraint.
Presented during Paris Fashion Week by founder and creative director Pierrick Couton, the latest collection doesn’t ask to be understood instantly. It unfolds slowly, like a memory that belongs equally to the past and the future. Timeless by nature, yet impossible to place within a specific era, it exists in a space where fashion escapes chronology altogether.
Couton continues to refine a language that has become unmistakably his own. Black remains the collection’s permanent horizon—not as a symbol of darkness, but of endless possibility. It absorbs time, gender and convention, allowing silhouettes to speak with remarkable clarity.
Tailoring is approached in its purest form. Not through rigid construction or exaggerated proportions, but through precision, balance and an intimate understanding of the body. Precious fabrics glide rather than constrain, creating silhouettes that feel fluid, weightless and quietly architectural. Every movement reveals softness where structure would usually dominate.
At MYX, garments refuse definition. Masculine and feminine dissolve into a shared wardrobe where identity is never prescribed. There are no strict boundaries, no fixed categories, only clothes designed to accompany whoever chooses to wear them. It is a philosophy that has always defined the house, but here it reaches its most refined expression.
There is an almost meditative quality to the collection. Nothing shouts, yet every detail resonates. Elegance emerges through discretion, while power is expressed through confidence rather than excess. In an industry often driven by immediacy, MYX reminds us that the strongest statements are sometimes the quietest.
With this latest chapter, Pierrick Couton once again proves that true modernity isn’t about chasing the future—it’s about creating pieces that feel as though they have always existed, and always will.
Photographer: Laura Diolosa