
Can a cocktail tutorial become a fashion statement?

Luxury has a new after-hours ritual, and Gabbriette is here to make it a little dirtier. Belvedere’s Dirty Hour campaign puts the model, musician and internet provocateur at the centre of its latest creative move, turning three coffee-inspired serves into an exercise in personality, performance and controlled irreverence.
The premise is deliciously simple. Armed with Belvedere Dirty Brew, the brand’s vodka infused with roasted coffee notes, Gabbriette reworks the Dirty Espresso Martini, Dirty Affogato and Dirty Latte through a series of playful films that twist the familiar language of cocktail tutorials into something with a distinctly fashion-minded attitude.
The real cocktail here is cultural. The creator economy has taught luxury that a recognisable face is only half the story; the other half is what that person brings to the frame. Gabbriette’s appeal lies in her ability to make polished glamour feel slightly subversive, mixing gothic sensuality, deadpan attitude and an instinct for the theatrics of contemporary celebrity. She is not simply presenting a product. She is giving it a character.
For Belvedere, the shift makes sense. Dirty Brew already occupies the intersection of vodka and coffee culture, bringing an after-dark edge to a familiar flavour profile. Dirty Hour takes that proposition beyond the bottle, translating it into a social ritual designed for an audience that consumes style, nightlife and personality in the same scroll. The espresso martini becomes more than a drink; the affogato gets an after-hours alter ego; even the latte is invited into the party.
The smartest part of the formula is its refusal to separate commerce from entertainment. In a culture where every ritual can become content, the tutorial itself becomes the stage, and the personality behind it becomes the reason to watch. Gabbriette gives the format its friction: polished enough for luxury, irreverent enough to disrupt the usual choreography of spirits advertising.
The question is no longer whether a vodka campaign can look like fashion. It is whether fashion’s most compelling personalities can make advertising feel like culture. With Dirty Hour, Belvedere is betting that the answer begins with the right face, a little coffee and a healthy disregard for drinking by the rules.