Hispanic-Croatian artist Filip Ćustić presents his first solo exhibition in Tokyo, titled “Human Product,” at the PARCO Museum. His interdisciplinary work explores the relationship between the body, mind, and technology, and how these elements influence our personal identity. Ćustić highlights the paradoxes present in our hyperconnected society, such as the liberation from physical limitations thanks to technology, and at the same time, the body dysmorphia and digital homogenization they create.
In his artwork, Ćustić addresses dystopian themes, such as the commodification of the human body and the competition of screens for our attention. However, he also sees a positive side to technology and transhumanism: the possibility to reinvent ourselves and evolve faster. The exhibition includes wearable artworks that modify users’ facial features with digital projections and engravings, as well as augmented reality filters designed by the artist, such as the Fibonacci filter, which aims to reveal the diversity of beauty.
In summary, Filip Ćustić’s “Human Product” is an exploration of the tensions and contradictions inherent in our relationship with technology and how it affects our identity and evolution as human beings.
Kustik Explores Digital Identities
Philippe Kustik’s first solo exhibition in Japan highlights his exploration of the relationship between body, mind, and technology through various art forms. The exhibition raises questions about human existence, self-imposed social models, and the role of capitalist culture in shaping our identities. Kustik’s artistic world blends identity, body, and humanity with modern elements like brands, economic models, and technology. The exhibition creates a unique world, showcasing characters that play with human identities and contemporary collector culture.